from
Nate Wood
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Writer
Rachel_Korowitz
Even if you’ve got two left feet, you’ll look like a dance champ when you master this simple, sassy take on salsa.
Label yourselves Partner A and Partner B. A should face B with his left arm up at a 45-degree angle, and his right hand in the middle of B’s back. B should face A with her right arm held up against A’s left, and her left hand resting on A’s right arm.
Traditionally, A’s steps are performed by a man, and B’s steps are performed by a woman.
The cha-cha has its own rhythm. Before putting your moves into action, you must learn the beat. The count is 1, 2, 3, cha-cha, 1, 2, 3, cha-cha. This can also be counted as 1, 2, 3, 4-and, 1, 2, 3, 4-and.
A and B’s steps will always mirror each other, so if you get lost, watch what your partner is doing and pretend you’re looking at your reflection.
On the “1” count, A’s right foot and B’s left foot step to the side.
On the “2” count, A rock-steps forward with the left foot, and B rock-steps back with the right foot.
To do a rock-step, simply step and shift your weight onto that foot. Then, without moving your foot, shift your weight back to your original foot.
On the “3” count, A shifts his weight to the right foot, and B shifts her weight to the left foot.
On the “4 and 1” count, A steps to the side and executes a quick left-right-left change of feet. B steps to the side and executes a quick right-left-right change of feet.
“Four and 1” can be counted as “cha-cha-1.”
On the next “2” count, A rock-steps backward with the right foot, and B rock-steps forward with the left foot.
On the “3” count, A shifts his weight to the left foot, and B shifts her weight to the right foot.
On the “4 and 1” count, A steps to the side and executes a quick right-left-right change of feet. B steps to the side and executes a quick left-right-left change of feet.
Once you’ve practiced this sequence to the music and you feel a little more comfortable, have fun with it. Add a little extra hip action, and throw in some sass.
The cha-cha, which became wildly popular in the 1950s, is a slowed-down cousin of the mambo.
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