Up next in Filmmaking 101 (23 videos)
Calling all filmmakers! Learn how to make a movie with the filmmaking tips in this Howcast video series.
You Will Need
- Some initial investment
- The names of potential investors
- The director’s cooperation
- A financial ledger
- A ruthless attention to detail
Plan an ideal budget
Sit down with the director and plan out an ideal movie budget. It doesn’t have to be too detailed.
Cut the ideal budget in half
Now, tell the director you want to slash the budget in half. He’ll probably be furious, but it’ll help him think in terms of dollars and cents.
Explain all expenses
Make the new, cheaper budget include explanations for every single penny the director intends to spend. This version of the budget should be dozens of pages long.
Delegate the initial investment
Delegate the initial investment. Ideally, most of it will go to shoot impressive scenes that will then be used to raise more money for the film. You’ll need a bit of it yourself, though, to finance your fundraising efforts.
Apply for grants
Apply for filmmaking grants. There are institutions the world over that give money to new and independent filmmakers. Find them, and apply for every single grant that they offer, no matter how unlikely it is that you’ll get it.
Find investors. Go through your alma mater or professional contacts.
When you do land meetings with potential investors, be confident. Talk up the director, the plot, and the starring actors. Never stray too far from your claim that the movie is a sure thing to make back its investment.
Raise a little extra
Raise the money you need for your budget—and then some. Socking away an extra 15% in contingency funds—to help you out if disaster should strike—is a smart idea.
Count every penny
Count every penny that the movie spends and that the movie makes. Write everything in your master ledger. This way, you’ll always know where you stand, and if the movie is still on budget.
Have a backup
If and when you have to work away from the actual shoot, have someone you trust—not the director—keep track of everything.