How To Make Your First Movie - Phase 6: Audio
- October 31, 2008
- 4,576 Views
Music
Jiri Janis
Voice Over Artist
Mario Bueno
Writer
Jake Bakkila
You may be tempted to skimp on audio quality in your first movie. Don’t—a single garbled conversation can drive an audience to the exits.
You Will Need
- Good microphones, including a boom mic and some lavaliers
- Audio editing software
- A professional sound engineer
Step 1: Learn microphones
Learn the most common types of microphones, from wireless to boom, and learn when to use them.
Step 2: Assign the boom mic
Find the tallest person on your set and assign him to hold the boom mic. Give him a set of headphones and a mixer, if you have one. Tell your boom operator to aim the mic at whoever is talking.
Be sure to keep the boom—and its shadow—out of the frame!
Step 3: Alert the set
Make sure everyone on your set knows when you’re recording sound. Be sure to have someone yell out rolls and cuts. If someone is making loud noise in the background, go over and ask if they mind stopping until you get your shot.
Step 4: Monitor sound levels
Using the meters on your camera or mixers, monitor sound levels when you’re recording. Make sure actors are loud enough to be heard, but not so loud that they’re “in the red.”
Always, always make sure microphones are turned on and working—nothing kills an otherwise successful day of shooting like finding out that there’s no sound.
Step 5: Use windscreens
Use windscreens on your boom mic where appropriate, specifically when you’re shooting outdoors.
Step 6: Mix the sound
Once everything is recorded and the film is edited, mix the audio for the movie. This can be done on a mixing console or on a computer with a mixing suite. Use good speakers—and never mix while wearing headphones.
If you can afford it, have a professional sound engineer do your mix for you.
Step 7: Editing volumes
If you’re stuck mixing the sound on your own, first practice changing volumes—make dialogue louder or background sounds softer.
Step 8: Use music and sound effects
If possible, use music and sound effects in your edit. But be careful—if you’re using someone else’s work, be sure to get the proper licenses.
The first Academy Award for Sound Editing, then known as the Academy Award for Best Sound Effects, went to Walter Eliot in 1963 for It’s a Mad, Mad, Mad, Mad World.
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Comments (3)
and for music, you can always contact nick cicero http://www.myspace.com/nickcicero
over 3 years ago by ncicero0
This is really reductionist. E.g a quick discussion on the mic types and their usage wouldn't take more than 30 seconds. Booming is not just a height issue good results can be had booming from below. Ideally you get the person that's going to boom to practice prior, watch the rehearsals so they know who is about to speak etc.
Using the meters alone is no guarantee your getting a usable signal.Always monitor in headphones from the recording devices return if possible. E.g your mixer can be sending a signal out to the camera that's that's line level, sounds great on the mixer head phones yet distorts the hell out of the consumer level line level on the camera. ( Yep that's the first mistake I made trying to mate a 302 mixer with a camera:)
over 2 years ago by John_Paxton
How am I going to film a movie with a baby running around. It would work cause baby's can't talk, and the boom microphone is only on who is talking, not on anyone else.
about 1 year ago by Timee2
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